- STRYMON IRIDIUM MANUAL HOW TO
- STRYMON IRIDIUM MANUAL MOD
- STRYMON IRIDIUM MANUAL FULL
- STRYMON IRIDIUM MANUAL PROFESSIONAL
But how to make sense of all those controls? Well, the key is to split the unit into top and bottom halves: preamp at the top, power amp (plus reverb, cab sim and virtual microphones) at the bottom. This immediately opens up the joys of clean/dirty switching in mid-song… and yes, there’s a footswitch included.īasic connectivity really is simple: plug your guitar into the main input, then take a lead from one of the outputs – jack or XLR – straight into your live PA or recording interface. You probably guessed that much from the aforementioned knob-frenzy, but part of the reason for such complexity is that we’re now dealing with two preamp channels. That was enough for the original one-channel Simplifier to win plenty of digital-sceptic fans – but the DLX version is a much more ambitious device. The concept of the compact modelling amp is no longer the novelty it was when the Strymon Iridium first appeared in 2019, but what really makes DSM & Humboldt stand out here is that its emulations are all analogue.
STRYMON IRIDIUM MANUAL FULL
It is backed up with a full 3-year warranty. We build them one-at-a-time by hand using genuine Jensen Transformers line transformers, high reliability all-metal connectors from Switchcraft and Neutrik and top-shelf sealed switches from Grayhill.
The DISO-Plus is all about giving you a clean, clear signal all of the time. This allows you to quickly connect a regular guitar amp or powered speaker for monitoring on stage or checking patches before a gig without disconnecting or re-patching anything from your board. A stereo/mono switch is located near the ¼ inch outputs and actuates a summing network to allow both 1/4 inch L and R signals to be summed to an amp or full range speaker while keeping the XLR outputs in stereo. A ground lift switch is mounted between the XLR connectors so that it is out of the way and won’t get bumped accidentally.
The two ¼ inch input, two ¼ inch output and two XLR output jacks are mounted on a powder coated, cast aluminum enclosure. It can deliver pure, clean sounds in the studio and it has also passed the toughest test of touring life as well. The DISO-Plus is a 2-channel line isolator box made to integrate with other guitar pedals.
STRYMON IRIDIUM MANUAL PROFESSIONAL
A line isolator is the perfect device to use to keep the level high and clean but still allow for ground lift on a professional stage with dirty power or bad grounds. Some units have notoriously weak outputs.
These don’t need the impedance matching of a DI that will also drop the level. Most percussion pads (Roland SPD-S, SPD-SX, Alesis Samplepad, Yamaha DTX, etc.) have line outs on 1/4 inch connectors but no XLR. In addition, transformer isolation insures that Phantom Power from the console never touches the outputs of your FX pedal. A line isolator won’t drop your signal level like a direct box will, but will maintain the line level while giving the ability to ground lift and eliminate noise when running your guitar signal to the main PA. These simulators have outputs on ¼ inch connectors but no way to ground lift in the event of ground loop noise. If you are using FX DSP simulation/load boxes such as the new UA Ruby/Dream/Woodrow, Strymon Iridium, Line 6 HX Stomp, Walrus ACS1, Line 6 HX Effects, Two Notes Torpedo Live, Torpedo CAB, or Headrush Gigboard and are interfacing them in a live situation, you shouldn’t be using a direct box (for impedance matching) but should be using a “line isolator”.
STRYMON IRIDIUM MANUAL MOD
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